Fountain Pens

Blue Marble Kingswood by Eversharp 1940 s English Vintage Fountain Pen xtra-Super Flex to well over 3.2mm 16x line variation

Blue Marble Kingswood by Eversharp 1940 s English Vintage Fountain Pen xtra-Super Flex to well over 3.2mm 16x line variation
Blue Marble Kingswood by Eversharp 1940 s English Vintage Fountain Pen xtra-Super Flex to well over 3.2mm 16x line variation
Blue Marble Kingswood by Eversharp 1940 s English Vintage Fountain Pen xtra-Super Flex to well over 3.2mm 16x line variation
Blue Marble Kingswood by Eversharp 1940 s English Vintage Fountain Pen xtra-Super Flex to well over 3.2mm 16x line variation
Blue Marble Kingswood by Eversharp 1940 s English Vintage Fountain Pen xtra-Super Flex to well over 3.2mm 16x line variation
Blue Marble Kingswood by Eversharp 1940 s English Vintage Fountain Pen xtra-Super Flex to well over 3.2mm 16x line variation
Blue Marble Kingswood by Eversharp 1940 s English Vintage Fountain Pen xtra-Super Flex to well over 3.2mm 16x line variation
Blue Marble Kingswood by Eversharp 1940 s English Vintage Fountain Pen xtra-Super Flex to well over 3.2mm 16x line variation
Blue Marble Kingswood by Eversharp 1940 s English Vintage Fountain Pen xtra-Super Flex to well over 3.2mm 16x line variation

Blue Marble Kingswood by Eversharp 1940 s English Vintage Fountain Pen xtra-Super Flex to well over 3.2mm 16x line variation

They are exceptionally well made pens. This one has a very soft flex. This is the softest kingswood nib i have come across.

Blue was a hard color for plastic makers to produce and is rarer to see. With extreme line variation, near wet noodle flex, and a lovely bluethis pen has it all.

Normally, these are very good daily writers, but because of how soft this nib is, i only suggest this for daily writing if you are comfortable with flex and have a soft hand. Please review the pictures carefully, they are part of the description. All pen on this site are in working order.

Full working order unless stated otherwise e. My goal is to restore these pens to the best working order they can. 0 -wet noodle (brause rose nib for comparison) - takes practice to not flex on the downstroke, can be temperamental. 1-wet noodle - takes a light hand to use correctly. The slightest pressure opens the tines.

Easier to not flex on the downstroke, this nib is still like a paintbrush. Good for a daily writer if you have a light hand. You can write a letter with it one second and do some calligraphy the next. 5-same a 4 but with a bit more intent to produce full line variation. (fpr 5.5 steel ultraflex).

6 the start of semi-flex. Slightly more difficult to use with continuous flex (every downstroke) and takes some pressure to get it to fully flex. Flex becomes hard around curves. 7- continuous flex becomes hard around curves (suitable for spencerian). Can dig into cheap paper when flexing.

8 - continuous flex becomes very difficult. Will dig into cheap paper and occasionally good writing paper (ie rhodia). Many pens from the 50's have this lousy flex. Only good for accenting cursive with some minor shading. I only have a very few of these for sale and they are priced accordingly.

Might produce very minor line variation with heavy pressure. I don't sell nails atm but if i do, it will come with a clear warning. I will however work with you to get the most out of your pen. This item is made of 14k, celluloid and plastic.


Blue Marble Kingswood by Eversharp 1940 s English Vintage Fountain Pen xtra-Super Flex to well over 3.2mm 16x line variation